Why we celebrate with champagne With Valentine’s Day around the corner many wine merchants like me will recommend that you open a bottle of bubbly with your loved one. After all, we should celebrate the good things in life. This got me thinking… whether champagne, prosecco, English sparkling wine, crémant or cava is your fizz of choice, why do we celebrate with champagne or sparkling wine? If you are a lover of Left Bank Bordeaux for example, why not open a bottle of that instead? When and why did this tradition for celebrating with bubbly begin? CHAMPAGNE IS USED FOR CELEBRATIONS IN MANY COUNTRIES Oscar Wilde is reported to have asked “Why do I drink Champagne for breakfast? Doesn’t everyone?” Well, as nice as that sounds, in fact most of us don’t drink champagne for breakfast or even every day or every week. Although in France, which still consumes about half of the champagne produced, it is common for a bottle to be opened just as you would open any other bottle of wine to have as an aperitif or with a meal, it is more commonly used to celebrate an event in the export markets of the UK and the USA (by far the biggest export markets), Japan, Germany, Belgium, Australia, Italy etc. And the celebrations for which champagne or sparkling wine is the preferred choice range from birthdays, anniversaries, the birth of a child, weddings, divorces (sometimes), job promotions, naming ships, sporting victories etc etc though I just don’t get the practice of spraying champagne all over your fellow competitors at the end of a Formula 1 race – too much clearing up afterwards and too much champagne wasted! CHAMPAGNE IS USED FOR CELEBRATIONS IN MANY COUNTRIES Wine has been produced in the Champagne region for many centuries but the original wines were not sparkling or white but light pink wines made mainly from Pinot Noir. The sparkle was actually created by accident. London had become a good market for French wines and the bottles of pink wines from Champagne, with sugar added to satisfy the British sweet tooth, would often burst from the pressure created by a second fermentation in the bottle as temperatures rose in the spring after the wine had been bottled. It was the British who, with their coal resources that could fire hot furnaces, initially produced sturdier wine bottles to withstand better the pressure so that they could enjoy more of this bubby wine. However since some of those stronger bottles also exploded the now sparkling wines imported into London society became scarce and in demand. This demand which was not unnoticed and was replicated back across the Channel especially in the early 18th century. CHAMPAGNE AS A LUXURY PRODUCT The scarcity of the sparkling champagne made it a luxury product throughout the 18th century, enjoyed only by those with the means to buy it. Only in the first half of the 19th century did champagne production improve sufficiently to make the final product more stable, consistently sparkling and more widespread. The widow Veuve Cliquot is renowned for her contribution to the improvements in the industry but one of the major breakthroughs came from a little-known pharmacist called André Francois who worked out a formula for the amount of sugar that could be added to the wine to promote a second fermentation without the bottles exploding. After this many more champagne houses were established and the product became more widely available for several years though still largely a product for the aristocracy and the rich. There was further scarcity in the latter years of the 19th century thanks to the phylloxera louse that decimated vines throughout the world including in the Champagne region. This meant that other sparkling wines were developed and gained more of a hold in the market and this fuelled some fraudulent négotiants to pass off other wines as champagne sparking the Champagne Riots of 1911. I can quite understand rioting about champagne! But on a more serious note the outcome was the birth of laws requiring champagne’s origins to be declared on labels and ultimately of the Champagne appellation in 1936. MARKETING CHAMPAGNE Since the two World Wars, champagne production and the champagne market have grown massively but the wine still manages to maintain its reputation as a celebratory product and a luxury though certainly now much more accessible to people outside the aristocracy. This has largely been due to clever marketing by the champagne houses and by the champagne industry. The better or more canny (or both) champagne houses developed their names into brands. Advertising and celebrity endorsements, intended or otherwise, have helped some houses more than others but certainly boost champagne’s general image as a luxury (and sometimes expensive) product. And whilst champagne is generally more accessible, specific brands priced outside the pockets of the average person in the street have now become the luxury items only for consuming by the rich and famous – think Krug, Cristal and Armand de Brignac which Jay Z is associated with, even featuring it in some of his songs, and is believed to have invested in. In what is possibly the worst marketing ploy I have heard about in the wine trade, it is believed that a careless comment by someone at Cristal about rappers’ association with their brand was the trigger for Armand de Brignac’s subsequent success. LET’S OPEN A BOTTLE OF BUBBLY & CELEBRATE The price of champagne will sadly always keep it out of reach of most people for their “everyday” wine. What’s for sure though is that champagne and other sparkling wines will remain the drinks of choice for celebrations for many years to come. The symbolism associated with opening bottle of bubbly helps make it special: the pop of the bottle creates excitement and the overflowing of the wine on opening (unless you are careful) suggests exuberance and extravagance. That Left Bank Bordeaux I alluded to at the beginning would undoubtedly be enjoyed
Vintage Champagne: Is it worth the price?
VINTAGE CHAMPAGNE; IS IT WORTH THE PRICE? Vintage champagne is often talked about in much revered terms and the prices it can sell for suggest a far superior product to non-vintage champagne but is vintage champagne so much better than non-vintage? This blogpost looks into what exactly vintage champagne is, how vintage champagne differs from non-vintage champagne and what vintage champagne tends to taste like in comparison to non-vintage. In addition we look into the best vintage champagne years, how long vintage champagne can keep, how best to appreciate vintage champagne and whether it is worth the premium. First let’s look at non-vintage and vintage champagnes and the differences between the two. NON-VINTAGE CHAMPAGNE Non-vintage champagne is produced year on year in a consistent house style and, to achieve that consistent style, champagne houses have to use a blend of wines produced from grapes from different vineyards picked in different years, often many different years, and usually, though not always from all three of the authorised champagne grapes – Chardonnay, Pinot Noir and Pinot Meunier. Reserve wine is kept back each year to use in the non-vintage blend (or cuvée) and accounts for about 20% of the total blend. It is a real skill producing that consistency of style that non-vintage champagne tends to have given the differences each year in grape quality and weather and taking into account the effects of ageing on the reserve wines. So, if you find a non-vintage champagne that you really like, I always recommend that you stick to that brand because you can be pretty sure that the taste and quality will stay the same. In my case de Castellane non-vintage Brut Champagne (above) has been my favourite for many years and remains so which is why it was the first wine that I wanted in the Wines With Attitude portfolio. VINTAGE CHAMPAGNE Vintage champagne is not produced every year but only when the producer deems the vintage to be worthy – it is usually about three or four times each decade. Some champagne houses only produce vintage champagne, Dom Perignon for example, which means that they don’t produce champagne every year, adding to the rarity value – and to the price. All the grapes used to produce a vintage champagne must be from the year’s harvest specified on the front label of the bottle. No reserve wines from other years can be added. They are generally still blends however as the winemaker mixes the juice from different grapes and from grapes from different plots with different terroirs but instead of looking for a consistent style, they are trying to achieve the best tasting champagne from the best grapes grown in the specific conditions of that vintage. Each vintage champagne will therefore taste different; even a specific champagne house’s vintage champagne will taste different each year it is produced. There are some who think that, even in vintage years, the priority for most champagne houses has to be the non-vintage champagne as that is what they sell most of; it has to be hoped that using the better grapes for the vintage champagne does not compromise the known style of the non-vintage champagne but there are some who believe that it does. HOW & WHY VINTAGE CHAMPAGNE TASTES DIFFERENT Non-vintage champagnes must mature in bottle for a minimum of 15 months of which 12 months must be on the lees (mainly a deposit of yeasts which forms after the second fermentation in the bottle has finished, as seen in the photo). Vintage champagne spends longer ageing, at least three years. In practice it is often much longer before any wines are released – two to three years for non-vintage and four to ten years for vintage. The additional ageing time means that vintage champagne develops more body, more complex flavours and a smoother texture. In younger non-vintage champagne the primary flavours will be fruit – citrus fruits like lemon and grapefruit and stone fruits like peach and apricot. In non-vintage champagne that has aged a while a buttery or creamy texture and secondary flavours like brioche/ toast and nuts may start to develop. These secondary flavours will be more intense in vintage champagne because of the longer ageing; in addition the body will be fuller, the wine richer and further earthy flavours and aromas like leather and mushrooms may be present. HOW LONG VINTAGE CHAMPAGNE CAN KEEP Vintage champagne is likely to age better and for longer. Non-vintage champagne should generally be drunk within 36-48 months of bottling (remember it has already aged at least 12 months in bottle before release) whereas non-vintage champagne can be kept for five to ten years or longer (after its minimum three years ageing in bottle). THE BEST VINTAGE CHAMPAGNE YEARS Of course it is all a matter of taste but generally the following years are considered to be the very best vintages of the 2000s – 2018, 2012, 2008 and 2002. HOW TO ENJOY VINTAGE CHAMPAGNE I would recommend serving vintage a little less chilled than non-vintage champagne say at 12-14°C so that the complex flavours of the wine are not masked. Also allow the champagne to breathe for 15-30 minutes so that the layers of unique aromas and flavours have time to unfold. Sit back and enjoy! IS VINTAGE CHAMPAGNE WORTH THE PREMIUM? Vintage champagne is generally currently priced at around £40-£60 but can be hundreds of pounds per bottle; the fact that vintage champagne represents only 5% of total champagne production and the longer ageing time account to some extent for the difference in price. But at the end of the day, you are taking a bit of a chance; although the winemaker is trying to impress with a wine made from the best fruits from the best years, it really is all a matter of taste. Whether you think a wine is worth the premium, depends on the particular vintage and the particular wine and your own preferences. I recall one blind tasting of